During the debate on show business, on the show "Right to reply", a fight broke out on the set. Michel POLAC is taken to task by a spectator, and in the hubbub we try to get out the agitator who rebukes and throws an ashtray towards Michel POLAC. Attempt to intervene André HALIMI and Patrice BLANC-FRANQUART (?). Michel POLAC launches the closing credits, while the fight continues.
As part of the "Baby Happiness" section, Virginia CRESPEAU is surrounded by little Nathalie and her parents. The animator presents a cloth teddy bear with the tail whirring, which causes him to laugh as well as to the UNKNOWN people on the set.
Launch of the "Right to Answer" program. Michel POLAC shows on a table a series of Polaroids of the many guests including, in particular: Gérard DEPARDIEU, COLUCHE, Jean DANIEL, Edgard MORIN, Claire BRETECHER, Olivier TODD, CAVANNA, Claude ROY, CABU, SINE and Gérard de VILLIERS, author of SAS. Michel POLAC stated that viewers can intervene at any time by telephone.
Sébastien introduces his parents and says he wouldn’t like having a brother or sister. He also says that he would like to be a veterinarian to care for "poor animals", and that his grandfather "fishes soup".
In the studio, cook Michel OLIVER prepares the chocolate cigar recipe for Father’s Day. He is assisted by two children: Béatrice and Bruno. He makes Bruno smoke a real cigar by making him believe that he is made of chocolate.
Reportage à la Philharmonie qui sera inaugurée ce soir dans une ambiance de polémique après cinq ans de travaux et une facture trois plus importante que prévue. Explications de Frédéric Mellardi, musicien de l'Orchestre de Paris, Thomas Scelo, acousticien, et Laurent Bayle, président de la Philharmonie de Paris, sur les spécificités du bâtiment conçu par Jean Nouvel.
In front of Catherine CEYLAC, Serge LAMA talks about the car accident he suffered in 1965, which almost cost him his life, in which his fiancée of the time, his great love, and Enrico Macias’s brother, lost their lives.
Questioned in his garden of Cadaquès in the company of his wife Gala, Salvador DALI claims that the Church itself admits that there is always eroticism upstream of the mystical scenes, and declares: "At the approach of God, always happens an ejaculation" [Comments]: The program from which the excerpt is taken, commissioned by the RTF in 1961, and which was supposed to be broadcast at a late hour, with the white square, and preceded by an announcement was finally deprogrammed for "immorality". Here are some excerpts from the announcement that was to be made before broadcasting: "We want to believe that at this late hour of the night the children have long been in bed. It would be very harmful indeed if they could see the images that will follow. We give at least 18 years the advice to turn off their receivers now, advice that will also be followed with profit by impressionable people..." (Télé Magazine from 1 to 7 October 1961) Nevertheless this "Close-up" was broadcast on Arte on 28/10/1993. This document is part of a set of documents listed in the inventory of 13/02/1974 as being in hell.
Yves MONTAND talks to Lise ELINA about the compatibility between his political commitment and his acting career and how he and Simone SIGNORET have been boycotted by some media.
On the set of Alain JEROME, Annette KAMIENIECKI begins to explain how she entered the resistance. It is interrupted by Armand JAMMOT who arrives on the set, without realizing that he is on the air. Alain JEROME kindly explains to him that they are on the air. He immediately left the set.
Après l'évocation par Bernard Pivot, des nombreux prix et distinctions qu'il a reçus, Jean d'Ormesson explique avec humilité que son seul souhait serait désormais d'écrire encore "un ou deux bons livres".
Yves MONTAND wearing a Borsalino and a raincoat, on the shooting of the film "Le cercle rouge". He talks about his role in the film and praises director Jean-Pierre MELVILLE. Shooting scenes during the interview.
Interviewed by Jacqueline JOUBERT, Charles TRENET talks about television. For him, it is "The most intimate means of expression of modern art [...] it has become a necessary food, a kind of bottle, yes I am a viewer". He also says he would like to be projected into space later.