The actor Adam Driver answers Augustin Trapenard’s question about his definition of chaos in the films he has participated in. In independent cinema there is the internal chaos of the character, as in the film 'Paterson' by director Jim Jarmush. In "Star Wars, Episode IX: The Rise of Skywalker" the chaos is staged by special effects. English interview without translation.
In Cannes, during the Festival, Augustin TRAPENARD interviews Alain CHABAT who speaks of his admiration for the humor of René GOSCINNY, father of "Petit Nicolas".
Aymeric Goetschy s'entretient avec l'écrivain belge Antoine Wauters à l'occasion de la parution de son livre "Le plus court chemin", un récit autobiographique composé de souvenirs d'enfance dans les années 1980. Au sujet du rôle politique de l'écriture, il dit défendre un style différent de la langue des technocrates et veut réhabiliter le silence, la lenteur, un vocabulaire très doux pour décrire un contexte de violence. Il se rappelle avec nostalgie l'époque où on ne faisait qu'une chose à la fois.
Former footballer and coach Arsène WENGER explains the importance of analyzing his defeats in sport in order to improve. For him, the winners are those who have "objectively analyzed" their mistakes without blaming others.
Director Baz Luhrmann talks about his choice of actor Austin Butler, to play Elvis Presley in the movie 'Elvis'. After a first meeting, he wanted to test his ability to play this overwhelming role. English interview without translation.
Entretien avec Benoît Coquil à l'occasion de la parution de son livre "Petites choses". Il évoque le style employé, sa recherche de la fluidité avec l'usage du "on" et d'un ton ironique. Il dit aimer entretenir un jeu avec le lecteur à qui il s'adresse directement au risque de le mettre à distance du récit.
Former footballer Bixente LIZARAZU is involved in environmental protection. He explains in this interview what is important to him, the beauty of nature and the future of our children.
What physical experience is playing for you? To this first question asked by Augustin Trapenard at the time of the Cannes festival, the actress Adèle Exarchopoulos, invited for the film "Les Cinq Diables" by Léa Mysius, answers that she does not theorize the body. Since she has been touring with Quentin Dupieux and Léa Mysius, acting work goes "through the body". In each film she tries to find a working method, something different.
Meeting with the comedian and actor Ahmed Sylla who comes for the first time to the Cannes Festival to present the film "Petit frère" by Léonor Serraille. Interviewed in the car that takes him there, he believes he has more than a film to defend, because it is actually his own story, that of his parents who arrived in France more than 30 years ago. He has what he calls the "impostor syndrome", of the popular actor who wants to be taken seriously. He is with the actress Annabelle Lengronne.
Installed in a library, Augustin Trapenard interviews the actor Fabrice Luchini on the occasion of his presence at the Cannes Festival for the film "Marcello Mio" by Christophe Honoré. It evokes the genius and grace of actor Marcello Mastroianni, as well as his importance in European cinema. Then he admits that the sweetest thing about him is his relationship with his mother, finally he quotes the words of Roland Barthes on "flavors and knowledge".
Excerpt from a Brut in immersion with the film team "A little bit more" during their stay in Cannes for the 2024 edition of the festival, showing the actors Marie Colin, Arnaud Toupense, Ludovic Boule, Mayane-Sarah El Baze and Stanislas Carmont.
At the 2024 Cannes Film Festival, actress Catherine Deneuve explains what Marcello Mastroianni represented. For her, he was an Italian cinema of another era, more calm and contemplative, as opposed to the frenetic pace of today’s cinema: "He really incarnated Italian cinema at that time which was very special indeed, and great filmmakers too. I’m not saying that they are small now, but everything has changed a lot, it’s another way of filming," Also, she confides in her astonishment when she saw her daughter Chiara Mastroianni wearing the same mustache and haircut as her father for the movie needs "Marcello Mio".