Werner HERZOG, German director, speaks in English about the Directors' Fortnight in Cannes. This event helped to introduce the world to the new German cinema. If the fortnight had not existed, I would certainly be half of what I am.... All my work grew, as the fortnight developed. "His words are translated by Pierre Henri DELEAU.
Is England condemned to remain an island? Despite 15 months of negotiations in Brussels, it was unable to enter the Common Market. Reactions of the English in the street in London? Supporters of "Yes" and "No" advance their arguments with some humour
Interviewed by Bernard PIVOT, Charles TRENET, who has just written the book "Mes jeunes années", talks about his father, his childhood and his arrival in Paris. Her mom’s in the audience.
Jacques HIGELIN is the guest on the set of the newspaper, on the occasion of the release of his new album "illicite". The interview takes place in a good mood with laughter, even if the news is depressing. The singer kisses his daughter across the screen.
Questioned by Michel DRUCKER, Gilbert BECAUD tells the origin of the song "Et maintenant", alongside his lyricist Pierre DELANOE. He explains that it is from the encounter with a young foreign actress (Elga Andersen) grieved following a love break from which he drew inspiration to write this song.
Meet Gilbert Bécaud in the duplex of L'Olympia just minutes from his stage entrance. The singer answers Cavada’s questions before crossing the backstage with a cigarette in one hand and a glass of whisky in the other. He enters the scene under a thunder of applause.
Report on Gilbert BECAUD and his income during his rehearsals before the Olympia: "Every time I sing the money, it’s to denounce him. Money is freedom in a world built like this, but we could live without money. At the end of the day, money doesn’t matter. Some people have a lot of money and aren’t happy about it. I’m not a squanderer or an ant, but desperately normal."
Catastrophe interview with the actress Juliette BINOCHE (22) answering questions about Léos CARAX’s film "Mauvais sang" and cinema in general by monosyllables or bits of incomplete sentences.
Juliette GRECO shares some memories of her life in Saint-Germain des Prés, when she no longer resides in this district of Paris, and the meetings that made her happy. She considers herself spoiled by life.
Portrait of Lucie DÉCOSSE: the images of the young judoka in training in her Guyanese club alternate with her interview and that of her first coach, Guy PINAS.
Jean-Pierre DARRAS talks to Georges BRASSENS about the legend around his flimsy character. He replies by blaming this on the stage fright that inhabited him in his early days. He admits to being a little "bear".
Asked by Denise GLASER about the light tone of her repertoire, Sacha DISTEL explains that her success was made thanks to happy songs, at the expense of more melancholic songs. He adds, "My goal is to distract people, not yell at them."