Meet the artist Miss Tic, who paints with stencils. She explains the choice of her nickname, born of a "desire that we know she was a girl", while "on the street there were only boys who went out to put texts". It evokes her inspiration, born from her private life. In an era of wooden tongues, she decided to have a language of stone, based on emotion, to say things that have content. She evokes the ephemeral aspect of her works, and the choice of walls on which she works...
Miss Tic bomb in Paris for eight years and left over 1000 stencils on the city walls. It evokes the reactions of passers-by. Some are happy to see it in action. From time to time, too, some people want to call the police. But most often it has "the right to indifference of people"... When she is arrested, she is transferred to the PJ and released in the early morning. As a child, she was already drawing on the walls of her room. Her parents, long dead, let her. She ends with these words, in homage to her deceased brother too: "Buried brother, in front of what to cry his memory"...
Augustin TRAPENARD receives the artist JR who evokes the artistic project he made at Ellis Island in the United States. He explains that one looks at a work according to one’s own history. He evokes the ephemerity of his work and defines his art as "engaging" rather than "engaged" because it involves the people who look at him. "My art is political in itself but has no political message," he says.
The INA Galaxy 
