Graffiti

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Graffiti: nuisance or expression?

Publication date 26/08/1980 From €100.00

Graffiti

Graffiti is part of the urban landscape as a spontaneous form of written expression. At the faculty of Jussieu, the eye exercised will distinguish two categories: political graffiti and artistic frescoes. For Henri MERCILLON, a professor specializing in mass communication, graffiti mainly develops in places where surveillance is lax. Moreover, this form of expression would, according to him, prevent other more violent outbursts.

Graffiti or the pleasure of colour

Publication date 17/11/1985 From €100.00

Graffiti

Interview, at night, of a graffiti artist who evokes the graffiti of yesterday (May 68), political, and that of today who no longer has the same vocation. He expresses his desire to offer colour to people who walk the streets and defends himself from wanting to play politics in his art.

Graffiti: a painting made at night

Publication date 17/11/1985 From €100.00

Graffiti

Meeting with two graffiti artists, at night, painting stencil graffiti. One of them confides that it is a painting that is done at night, and that it is a way to exist as a painter. As for the bans, he doesn’t care: "it gives even more appetite to do it," he stresses.

Micro trottoir : "Que pensez-vous des graffitis ?"

Publication date 29/09/1976 From €100.00

Graffiti

Passers-by are interviewed about the graffiti: what do they think about it, have they already done about it, how do they write the word graffiti, do they know the risks involved.

Une conservatrice de musée : "Le graffiti est un art de l'éphémère"

Publication date 19/04/1982 From €100.00

Graffiti

Sylvie Forestier, curator at the Musée des Arts et Traditions populaires in Paris, explains why graffiti is not taken into account as a collection in her museum. She considers graffiti to be an ephemeral art that is not museographical. She gives her feeling when she sees graffiti art objects.

Meeting with the graffiti artist JonOne

Publication date 19/04/1990 From €100.00

Graffiti

Meeting with the American graffiti artist JonOne. After tagging and painting New York for years, the artist now lives in Paris. He explains (subtitled) that he began to paint canvases to allow his work to endure and be respected. José CARLOS, merchant of paintings, decided to bet on him and explained his choice.

Le graffeur Psyckoze : "Je veux me faire reconnaître comme quelqu'un qui fait quelque chose de clean sur un mur"

Publication date 31/10/1987 From €100.00

Graffiti

Meeting in Paris with the young graffiti artist PSYCKOZE. He confides his desire to get out of the subway and his need for recognition: "I want to be recognized as someone who does something clean on a wall". In Paris, graffiti is tolerated in certain areas, such as on the palisades of Stalingrad, the Villette or the Louvre, spaces where groups compete with bombs but with a golden rule: We don’t bite on each other’s territory, otherwise watch out for reprisals as PSYCKOZE explains.

Agnès Varda : "C'est essentiel de tolérer le graffiti"

Publication date 19/04/1982 From €100.00

Graffiti

Agnès VARDA comments on the phenomenon of graffiti in the metro and compares the type of French and American graffiti. She points out that French graffiti writes sentences, unlike American graffiti which is composed only of words or slogans. According to her, it is essential to tolerate graffiti and at the same time to clean it up.

Un artiste graffeur américain : "Les murs sont dégueulasses, on les décore et ils sont plus beaux après"

Publication date 27/02/1984 From €100.00

Graffiti

In the United States, meeting with Mike, graffiti artist. He talks (vo trad off) about his art, admits to feeling good when he writes on the walls. "It’s like a competition, everyone has their own style, their own colors, and when people see your name, you feel good," he admits.

The artist Michel Degand and his graffiti in the Lille metro

Publication date 27/02/1984 From €100.00

Graffiti

The artist Michel DEGAND created a fresco in the Lille metro. He explains that he was inspired by the crowd that circulates there and wanted to make graffiti. However, he points out that it is not anonymous graffiti, that it is signed, and that it has a different purpose from the graffiti that people do on walls anonymously.

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