On the occasion of an exhibition devoted to the works of Toulouse Lautrec at the Musée Jacquemart-André, in Paris, the writer and art critic Max-Pol FOUCHET explains why the painter liked to stay in brothels to paint "beings without a mask", women "moving" and not "stuffed".
On the occasion of the exhibition dedicated to Toulouse Lautrec at the Petit Palais Museum in Paris, Suzanne KAHN, curator and curator of the exhibition, explains why the painter’s works are so successful.
On the occasion of the centenary of the birth of the painter Henri de Toulouse Lautrec, the journalist Adam SAULNIER left on his tracks, talks with one of his nieces, the countess ATTEMS, born Mary TAPIE DE CELEYRAN. It evokes the memory of Uncle Henri, his father Count Alphonse, and the women who populated the work and life, "failed" on the love plan according to her, the painter.
On the occasion of an exhibition at the Jacquemart-André Museum in Paris, dedicated to the painter Toulouse Lautrec, André PARINAUD talks with the writer and journalist Roland DORGELES, owner of a painting by Toulouse Lautrec representing the singer Aristide Bruant. He passionately evokes how the painter’s work, which had become famous, was criticized during his lifetime.
During a debate following the broadcast of the film "Moulin Rouge" by John Huston, Claude ROGER MARX, art critic at Le Figaro, wishes to specify that the painter Toulouse Lautrec was not depressed, as the film wants to make believe, but that he was very cheerful, driven by a great appetite for life and always on the lookout for new things.
The INA Galaxy 
