Discovery of the transformation in Bordeaux, in the Chartrons district, of the Lainé warehouse, former real warehouse of colonial goods built in 1824, in the Musée d'art contemporain de Bordeaux by the architects Denis Valode and Jean Pistre. Richard Serra exhibits some of his works, he explains in an interview how he conceives his works according to the place of exhibition.
On the occasion of an exhibition, as part of the FIAC, interview in American English with the contemporary American sculptor Richard Serra on the scandal he causes unintentionally with his works of art composed of steel plates and how his works are received in the United States.
On the occasion of an exhibition of the contemporary artist Richard Serra under the glass roof of the Grand Palais in Paris, as part of Monumena 2008, Richard Serra explains how he conceives his work at the intersection between architecture and sculpture in the perspective of "make architecture alive" in the form of a walk in the case of the Grand Palais and would like France to keep its work "Clara Clara" in the Jardin des Tuileries. The author had caused controversy by installing her sculpture "Clara Clara" in the gardens of the Tuileries where she makes her comeback. Interview with Richard Serra and Stéphanie Coupé, cultural mediator alternating with images of the sculptures.
The États généraux de l'économie sociale et solidaire are being held this weekend at the Palais Brongniart, a former stock exchange building in Paris, on the initiative of Claude ALPHANDERY, President of the National Council for Integration through Economic Activity (CNIAE). This gathering brings together economists, sociologists and philosophers, whose ambition is to promote the development of an economy closer to men. Alongside Alphandéry, two intellectuals and former resistance fighters like him, Stéphane HESSEL and Edgar MORIN.
In the salons of the Ritz Hotel, after a statement by Jack HEMINGWAY, Pierre SALINGER announces the winner of the Ritz Hemingway Prize: the writer Marguerite DURAS, for her book "L'amant". This one speaks of his admiration for Ernest HEMINGWAY and his pride to have received this prize: "a real prize, obtained freely, the Goncourt they were obliged to give it to me ...".
Marc Bessou talks with Jacques Balutin about his recognition of his voice as an actor and his work as a voice actor thanks to the notoriety of the series Starsky et Hutch.
Invited on stage actor Jacques Balutin evokes the work of dubbing, the respect of the mandatory text by the actors doublers, his work with Francis Lax, double of David Soul, to sometimes add text in the series "Starsky and Hutch" when the two actors are from behind or during car shots.
Francis HUSTER who adapted and directed "The plague" by Albert Camus emphasizes the modernity of this story: "it is a text that speaks of AIDS, hostages, political betrayals, human mistakes, loneliness of people... It is the purest, simplest and most dangerous text that can be played on a theater stage..."
For 47 years, the Théâtre de La Huchette in Paris has been offering the public the same plays by Eugène Ionesco: "La Cantatrice chauve" and "La Leçon". More than a million spectators and 137 actors succeeded each other on stage. Report on the occasion of the 14571st performance, while the actors are now owners of the theater. With interviews with the actress Odette BARROIS ("La bonne"), a spectator, and Nicolas BATAILLE, the director.
"La Cantatrice chauve" and "La Leçon" are two plays by Eugène Ionesco performed at the Théâtre de la Huchette in Paris since 1957. Close-up on the 7863rd performance, with the cashier talking about spectators who come back often (a priest, a young man who has been single and has since become a father), and an interview with the actress Jeanne ALLARD, who has been playing the same role since 1965.
Rue de la Huchette in Paris, Louis MALLE recounts some memories of the Théâtre de la Huchette and the plays of Ionesco, which he regularly came to see at 18 in the neighborhood, and in particular "La Cantatrice Chauve". Nicolas BATAILLE introduced him to Ionesco himself, a playwright hardly known at the time.